– Ethnic Enclave

A member of the Korean Marine Corps. raises a military flag to honor both the Korean and American national anthems during the opening ceremony of the Korean Festival held every year at Seoul International Park on Normandie Avenue and Olympic Boulevard in Koreatown. The event is in its 41st year.

A member of the Korean Marine Corps. raises a military flag to honor both the Korean and American national anthems during the opening ceremony of the Korean Festival held every year at Seoul International Park on Normandie Avenue and Olympic Boulevard in Koreatown. The event is in its 41st year.

My aim for the ethnic enclave section was to show some of the historic sites and the older areas of Koreatown, the area’s characteristics as an enclave. There are a variety of areas especially along Olympic Boulevard that contain some of the oldest buildings in Koreatown including the Chung Ki Wa Plaza, the Na Sung Plaza, the old V.I.P Palace that was redesigned as an Oaxacan restaurant, and the V.I.P. Plaza shopping center across the street on Olympic Boulevard and Normandie Avenue.

Many of the buildings are multi-purpose buildings that cater specifically to Korean speakers, some housing a dozen different independent businesses. Many of the signs advertising goods and services on display are in Hangul catering to the first generation of Korean Americans, most of whom arrived during the late 1960s and the 1970s. The 1970s marked significant progress for the Korean American community with the further development of grocery markets, merchandise stores, banks, restaurants, doctor’s offices, cafes, and night clubs.

I took a static approach when documenting the signs and buildings there. I shot many of the signs tightly to place the emphasis on the Hangul writing displayed on the numerous business placards and advertisements. Certain areas of Koreatown show numerous rows of business placards displayed along the parking lots of shopping centers and strip malls lining the streets. From a bystander’s point of view, there is a wealth of different messages in a variety of fonts and colors that can be read almost like a poem in a different language. I thought of an approach similar to Walker Evan’s Signs project, juxtaposing different signs in images of numerous layers, vertically and horizontally, that he read like short poems pulled from their physical context. Additionally, many of the advertisements showed graffiti, adding additional layers to read with the juxtaposition of Hangul and English text, unknown authors adding stanzas to an open poem.

My opening image of this section was also in the static form. The photo was taken at the 42nd annual Korean Festival held each year at the Seoul International Park. It was from the opening ceremony. Members of the Korean Marine Corp. lead both the Korean and American National Anthems. In the background, a large digital screen shows both the Korean flag and American flag, and in the center foreground, a Korean soldier raises a military flag, cutting the frame in half. I read the image as a representation of a community between two places, an allegiance to a new place and an old place, a country of origin and adoption and a tribute to the Korean War, the historical pretext to the immigration act that would help create the enclave of Koreatown.

I shot most of the portraits for this section with tight, three quarter portrait framing, showing details on the clothing each person was wearing as well as some of the environmental details in the background. Additionally, I shot a couple of environmental portraits. One portrait was of a Buddhist meditation master from the Korean Buddhist Cultural Center, one of the oldest Buddhist churches in Koreatown. The Center opened in 1970 when the community was still defined as an enclave. The background of the image shows three golden statues of the Buddha displayed above rows of candles, the ceilings covered with paper lanterns. The image represented a colorful portrayal of traditional cultural iconography in Koreatown.

The survey component yielded a variety of responses. Many of the people did not speak English and therefore, could not understand my request for a moment for a portrait and a conversation about their experience living in Koreatown, and unfortunately, I do not speak or understand Korean. However, many of the people I met who I could communicate with were happy to share their point of view with me. One insightful response came from a 20 year old, second generation Korean American. She said she wanted to see more recreation centers because she felt many young people, including herself, would have difficulty finding things to do in Koreatown. Other young people I met expressed a similar feeling. She explained that many of the young people sneak in to bars or spend most of their day at PC bangs, which are internet cafes to play computer games.

In addition to photographing architecture, storefronts provided another opportunity to show other elements of tradition that have followed the time span of Koreatown as an enclave. I spent some time photographing storefronts because I wanted to show some of the fashions on display in Koreatown. Many shops display both modern and traditional outfits for both casual and formal wear. Numerous shops in Koreatown sell wedding gowns for both Korean and Western weddings. It is common for people to have both a Korean wedding as well as a Western style wedding.

I used a lyrical approach for many of the street views I photographed, showing my experimentations with slow shutter speeds, complimentary color schemes, and moodier lighting. The Korean Festival provided many opportunities to document the movements of traditional cultural performances, the vendors providing samples to patrons in the shaded outdoor markets that line Irolo Street, the parade showing participants from various community groups that traveled through Olympic Boulevard, and the waves of people walking through the park during the four day event.

Rows of business placards display business signs catering to Korean speakers along Vermont Avenue

Rows of business placards display business signs catering to Korean speakers along Vermont Avenue

Meditation Master Daeryun of the Korean Buddhist Culture Center on Oxford Avenue and 3rd Street has taught meditation for 35 years and leads services at the center every Sunday as well as private services with individuals wanting meditation guidance.

Meditation Master Daeryun of the Korean Buddhist Culture Center on Oxford Avenue and 3rd Street has taught meditation for 35 years and leads services at the center every Sunday as well as private services with individuals wanting meditation guidance. The Korean Budhist Culture Center was built in 1970.

A storefront window reflects banners catering to Koreran speakers from across the street near 1st Street and Western Avenue

A storefront window reflects banners catering to Koreran speakers from across the street near 1st Street and Western Avenue

Bystanders walk past a building displaying an ad for traditional Korean and modern wedding dresses near 6th Street and Western Avenue

Bystanders walk past a building displaying an ad for traditional Korean and modern wedding dresses near 6th Street and Western Avenue

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