– Multicultural Space

The corner of Mariposa Street and Beverly Boulevard shows a wide variety of services that cater to the Spanish speaking community including remittance services, a mobile store that provides pre-paid phone cards to communicate back home, an El Salvadorian market, and two general stores.

The corner of Mariposa Street and Beverly Boulevard shows a wide variety of services that cater to the Spanish speaking community including remittance services, a mobile store that provides pre-paid phone cards to communicate back home, an El Salvadorian market, and two general stores.

My aim for this section was to show the various ethnic groups who live and work in Koreatown. I wanted to provide the view that Koreatown represented a diverse population showing the establishments, advertisements, and a broad cross section of people who live in the area. Most of the images I used for this section were taken on 3rd Street, Vermont Avenue, Western Avenue, and a small area of Olympic Boulevard showing a popular Oaxacan restaurant that was once a prominent Korean establishment.

The 1980s marked Koreatown’s dramatic transformation to becoming a multicultural space. During this period, a large influx of Central Americans, Mexican Americans, and Bengali Americans began to move in to the area. These groups were present in Koreatown earlier, since the late 60s, but particularly with the Hispanic community, civil wars drove many Central Americans to come to the United States while economic instability drove many Mexican Americans to move. For someone unfamiliar, it is easy to believe Koreatown is a solely Korean space. However, Koreatown is actually a majority Hispanic population. Additionally, small pockets of other ethnic communities are present as well. There is a small Bengali designation on 3rd Street called Little Bangladesh, and on Vermont Avenue between Beverly Boulevard and 3rd Street, there is a small Filipino community with two grocery stores and a handful of restaurants.

When I thought about how to photograph signs that represent Koreatown’s multiculturalism, I thought about juxtaposition, both within the elements I captured in my images as well as the way I wanted to present them. Many communities overlap and are in close proximity to one another. For example, Most of the people who live in or near Little Bangladesh are actually from Central America. There are only about a dozen Bengali establishments there. Signs, placards, and advertisements are common themes found in Koreatown, and some of the images I chose show different ethnic signs juxtaposed in close proximity to one another. One image, for example, shows a large billboard advertising a Spanish soap opera displayed above a sign for a Vietnamese restaurant. Other advertisements are trilingual catering to Hispanic, Korean, and English speakers.

When deciding on the presentation, I thought about Robert Frank and how he composed The Americans, a thematic series of recurring symbols, the car for example set in various circumstances at one level a vehicle for people’s first sexual encounters, at another level, a symbol of isolation. My intentions for this section are neither about symbolism nor misanthropy. However, Frank showed that the juxtaposition of images can make a statement. I wanted to show the multiculturalism of Koreatown through the juxtaposition of different signs and establishments that represent the wide cultural spectrum of Koreatown’s population, and as they are physically close in proximity within Koreatown’s historic boundaries, I wanted to represent them as physically close in proximity within the gallery.

The portraits follow a static approach, most similar to the portraits I present in the ethnic enclave gallery: medium tight, three quarter shots showing some environmental elements in a portrait framing. I thought about Hine’s approach to surveys, the role of the photographer as a survey investigator, collecting a small and random sampling of Koreatown’s population. I met a wide spectrum of people when I was searching for portraits. Most of them were from Central America. I found most of the Hispanic people I met were very welcoming, easy to approach and open to the idea of having a portrait taken as well as a conversation, especially about the changes they wanted to see in Koreatown, additionally, welcoming the idea of me sending them a copy of the portrait I took. Many people I spoke with expressed that Koreatown needed more jobs available for people as well as smaller issues like more parking or repairing the sidewalks, but they weren’t unhappy living there. Several people expressed they were happy to be in a place that was both diverse and close to their cultures of origin.

Xavier moved to Los Angeles 10 years ago from Mexico. He's lived in Koreatown for 8 years. He said the biggest changes he said he had seen were more Latinos. On 3rd Street where he gets his hair cut, he said most of the Latinos there are from El Salvador, so people walking by will see many papusa restaurants. He said he wouldn't change anything about the area, and that it's perfect as it is. The police provide security for people there. His tattoo represents what he wants: to feel free to be whoever he wants to be, unlike when he was living in Mexico

Xavier moved to Los Angeles 10 years ago from Mexico. He’s lived in Koreatown for 8 years. He said the biggest changes he said he had seen were more Latinos. On 3rd Street where he gets his hair cut, he said most of the Latinos there are from El Salvador, so people walking by will see many papusa restaurants. He said he wouldn’t change anything about the area, and that it’s perfect as it is. The police provide security for people there. His tattoo represents what he wants: to feel free to be whoever he wants to be, unlike how he felt when he was living in Mexico

The Guelaguetza is a traditional Oaxacan restaurant on the corner of Olympic Boulevard and Irolo Street. The restaurant features traditional Korean architecture, the remnants of Hi-Duk Lee's VIP Palace, which once welcomed various dignitaries from Los Angeles. By the 90s, most of the business interest left Olympic Boulevard and began to move towards the Wilshire and Western areas of Koreatown, and in 1994, Fernando Lopez, a Mexican American immigrant, opened the Guelaguetza keeping the architecture of the closed down VIP Palace. The area south of Olympic Boulevard is home to a large Zapotecos community, Oaxacans from Sierra Juarez who have had a place to taste their home cuisine for the past 20 years.

The Guelaguetza is a traditional Oaxacan restaurant on the corner of Olympic Boulevard and Irolo Street. The restaurant features traditional Korean architecture, the remnants of Hi-Duk Lee’s VIP Palace, which once welcomed various dignitaries from Los Angeles. By the 90s, most of the business interest left Olympic Boulevard and began to move towards the Wilshire and Western areas of Koreatown, and in 1994, Fernando Lopez, a Mexican American immigrant, opened the Guelaguetza keeping the architecture of the closed down VIP Palace. The area south of Olympic Boulevard is home to a large Zapotecos community, Oaxacans from Sierra Juarez who have had a place to taste their home cuisine for the past 20 years.

A mixed use building near 2nd Street shows an apartment complex connected above businesses catering to both Korean and Spanish speakers

A mixed use building near 2nd Street shows an apartment complex connected above businesses catering to both Korean and Spanish speakers

VHS tapes for sale at a swap meet on Kenmore Avenue and 3rd Street in the Little Bangladesh designation in Koreatown. There is a mix of Bengalis and Central Americans who live in the area

VHS tapes for sale at a swap meet on Kenmore Avenue and 3rd Street in the Little Bangladesh designation in Koreatown. There is a mix of Bengalis and Central Americans who live in the area

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